
Ramiro Blas Returns to the Stage with Personal Monologue 'Ramón, el trauma del león'
Argentine actor Ramiro Blas returns to the stage with his new one-man show, Ramón, el trauma del león, premiering April 12 at Santa Cruz de Tenerife’s Café Teatro Rayuela as a personal exploration of authenticity in the age of digital media.
In an era where automated audiovisual content is becoming the norm, theater remains a sanctuary for authenticity, placing the actor’s vulnerability at the heart of the experience. As reported by Diario de Avisos, Argentine actor Ramiro Blas, who has lived in Spain since 2006, is embracing this search for truth in his new one-man show, Ramón, el trauma del león.
The play premieres at the Café Teatro Rayuela in Santa Cruz de Tenerife on April 12 at 7:00 p.m. and marks a significant turning point in Blas’s career. After choosing to step away from stereotypical roles—a decision that led to a period of professional downtime—Blas has taken control of his own creative path. Co-written with Angie Cortejosa and directed by Toni Cairós, this monologue moves away from commercial theater conventions to explore personal healing through memory and pain—themes Blas believes are universal.
The project comes during a busy time for the actor, who is currently filming the feature Golpes a mi puerta, directed by Patricia Ortega. While the film production will soon move to the Canary Islands, Blas says his approach remains the same whether he is on a film set or a stage: he builds every character from a place of deep emotional intensity, a technique he famously used in the hit series Vis a vis.
Beyond his own career, Blas’s journey highlights the instability often faced by actors, for whom financial security is rarely guaranteed. In this light, his commitment to theater is more than just an artistic choice; it is a stand for the "artisan" actor against the depersonalization of digital platforms. With this show, Blas aims to create a direct connection with his audience, turning the stage into a space for shared reflection—a vision he believes is the future of performing arts in the age of artificial intelligence.