Quevedo Returns to Roots with Introspective New Album 'El Baifo'

Canarian artist Quevedo releases his third studio album, El Baifo, this Friday. According to reports from Europa Press, the project marks a more introspective turn in his career, with the musician returning to his roots in Gran Canaria to create a body of work that goes beyond a standard record release.

The 14-track album moves away from the pressures that defined his rapid rise to fame. Rather than following industry trends, Quevedo has blended genres like reggaeton, afrobeat, bossa nova, and salsa, while incorporating elements of Canarian identity, such as the timple—played by Hirahi Afonso—and majorera shells. The album features collaborations with local legends like Los Gofiones and Nueva Línea, regular partners like La Pantera, Lucho RK, and Juseph, and international stars including Elvis Crespo and Tonny Tun Tun.

The title, El Baifo, refers to a baby goat in Guanche culture, while also serving as a play on the English acronym G.O.A.T. (Greatest of All Time), signaling a new level of artistic maturity. Conceived partly abroad but finished in Gran Canaria, the album represents a break from the style of his previous releases, Donde quiero estar and Buenas noches, as he seeks more creative freedom.

When asked about comparisons to other artists who highlight regional identity, such as Bad Bunny, Quevedo remains pragmatic. He views this as a natural part of the mutual inspiration that has always shaped popular music. He notes that the current success of the Canarian scene—which includes artists like Cruz Cafuné, Maikel Delacalle, Ptazeta, and Abhir—is the result of a long-term generational effort that has finally broken down historical barriers thanks to digital platforms.

Ultimately, El Baifo reflects Quevedo’s desire to step back from industry expectations. By basing his work on the island, he is prioritizing his personal vision, allowing him to better observe his own growth and the reality of his surroundings.