David Uclés Discusses New Novel and Democratic Decline at Tenerife Noir Festival

David Uclés returned to the spotlight during the Tenerife Noir Festival, where he signaled that he is moving on from his recent public dispute with Arturo Pérez-Reverte, viewing the matter as no longer relevant. Beyond the controversy, Uclés discussed the structure of his latest novel, La península de las casas vacías (The Peninsula of Empty Houses). He explained that he aimed to write with the objective eye of a photojournalist rather than the subjective perspective of a traditional novelist.

Reflecting on the current political climate, Uclés expressed concern over the decline of democratic systems in the West, citing the United States as a worrying example of rising authoritarian trends. He holds a similarly pessimistic view of Spain, warning that society is becoming increasingly fragmented. He believes that the loss of collective unity—something that historically helped people face external threats—now poses a structural risk to society, made worse by a culture of self-censorship and a reluctance to engage in open debate.

Having spent much of his career exploring the memory of the Spanish Civil War, Uclés is often asked about the possibility of a new national divide. He noted that while polarization remains high, he feels his warnings from two years ago might be met with more openness today. He accepts this public scrutiny as part of his work, preferring to stay engaged with his readers rather than retreating into isolation.

During the festival, Uclés also shared his thoughts on contemporary literature. He praised Andrea Abreu’s Panza de burro (Donkey Belly), noting the significant impact the book had on him and reaffirming his interest in the new voices currently shaping the literary world.